| Constructed Views::Masters of Illusion |
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| Niagara (After Church) |
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| Grand Canyon (After Moran) |
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| Yosemite (After Beirdstadt) |
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::Excavations of Space(Civilization) |
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| Salt Lake City Trilogy::Dawn::Settlers |
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| Salt Lake CIty Triology::Day::Culture |
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| Salt Lake City Trilogy::Dusk::Point of no Return |
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| Mullholland Drive::Hollywood Bowl |
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| Mullholland Drive::The Valley |
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| Mullholland Drive::Powerline |
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::Topographies |
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| 42°14'42.46"N, 83°46'02.35"W(JoAnne's Fabrics) |
42°14'29.88"N, 83°46'09.52"W(Outback Steakhouse) |
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| 42°13'43.64'N, 83°40'56.73"W(Showcase Cinemas) |
42°14'43.12"N, 83°46'03.23"W |
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| 42°14'42,52"N, 83°46'02.94"W |
42°13'45.21'N, 83°40'58.74"W(Showcase Cinemas) |
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| 42°14'44.32"N, 83°46'03.42"W |
42°16'57.35"N, 83°46'53.50"W(Kmart) |
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Disrupted Views::Figure/Ground Compression |
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| In the Absence of a Clear and Stable Figure/Ground Relationship, the Eye Naturally Wants toFill the Void |
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The Magisterial Gaze and all its Implications |
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Figure/Ground Compression III |
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::Journeys |
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| The Death of a Cloud |
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The Photographer's Ultimate Conceit: Moving Mountains 15 Steps at a Time |
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::Point/Counterpoint Panoramas |
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| ::Rio Grande::Resident Alien |
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